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Opening Scene City of God City of god sex scene

Around 40, people visit Rocinha the most tourist-friendly of Rio's favelas per year making it the fourth most visited "attraction" in Rio. In , a documentary was released called City of God — 10 Years Later.

The film reunites the cast and crew and takes a look at their lives after the original film was released. In a BBC article written at the time of the documentary's release, Firmino mentions that the cast had mixed careers after the film's release.

Firmino says that Jefechander Suplino, the actor who played Clipper, could not be found by the documentary producers.

His mother, however, believes him to still be alive, but is unaware of his whereabouts. Seu Jorge, who played Knockout Ned, had a better career after the film and is now a major musician and performed at the London Olympic Games closing ceremony.

From Wikipedia, the free encyclopedia. Release date. Running time. The Washington Post. Retrieved 3 December Retrieved 22 July Retrieved 9 December In Vieira, Else R P ed.

In Vieira, Else P R ed. Black Film. Retrieved 31 December Retrieved 1 November Filme B. Archived from the original PDF on 6 July Retrieved 21 April Retrieved 17 April Archived from the original on 25 May Retrieved 8 January Chicago Sun-Times.

Retrieved 28 April The New Brazilian Cinema. University of Oxford: I. Journal of Latin American Cultural Studies. City of God".

The Guardian. Editors Guild Magazine. May Archived from the original on 25 December Retrieved 5 January Retrieved 4 May Folha de Londrina in Portuguese.

February Retrieved 23 February Retrieved 13 February Folha de S. Paulo in Portuguese. Grupo Folha. Retrieved 16 February — via Universo Online.

O Estado de S. Grupo Estado. Retrieved 16 February Academia Brasileira de Cinema. Archived from the original on 16 February Entertainment Weekly.

Deseret News. Slant Magazine. Retrieved 15 February BBC News. Works of Fernando Meirelles. Felizes para Sempre? Breaking the Waves Shall We Dance?

Brazil portal Film portal. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file.

Download as PDF Printable version. Original poster. Fernando Meirelles [a]. City of God by Paulo Lins. The main narrator. A quiet, honest boy who dreams of becoming a photographer, and the only character who manages to prevent himself from being dragged down into corruption and murder during the gang wars.

His real name is Wilson Rodrigues. Leandro Firmino da Hora adult Douglas Silva child. A power-hungry, sociopathic drug lord who takes sadistic pleasure in killing his rivals.

When his only friend, Benny, is killed, he is driven over the edge. Since it was chosen for him at that moment, it may be unrelated to his actual name.

Phellipe Haagensen adult Michel de Souza Gomes child. A handsome, charismatic ladies' man. His name was changed for the English subtitles because in English, "chicken" is a term for a coward in Brazil it denotes popularity among women.

A friend and love interest of Rocket, and later Benny's girlfriend, who motivates Benny to abandon the criminal life.

Cinematography: Extreme close ups are used to reinforce the deprivation poverty. Close ups used on the knives also portrays the theme of power.

The use of camerawork also involves a dutch tilt, used to create an increased sense of disorientation within the favelas.

Editing: Cross cutting is used to show a lack of control within the favelas. Each sequence cuts at a fast pace, which creates a contrast between controlled and civilised areas.

Beach Scene Mise en scene: Isolated setting, open beach space, contrasts from other scenes, where crowded areas are shown.

Suggests a light relief from the pressure and constraints within the favelas. Reinforces danger in the favelas Drug taking is a norm — poverty Cinematography: Continuous shots of Anjelica, shows the objectification of women.

Not many significant female characters. Close ups of Rocket and camera. Dressed in bright shirts and chains etc, contrasts with the runts who are in clothes which are torn etc.

Emphasis on poor and powerful Lil Ze has a gun — more superior, poses a threat to all those within the favelas Sound: Dialogue — talking about robbery and taking over the superior position within the favelas Gunshot — emphasises the danger of the favelas etc Diegetic sounds of children crying out in fear — reinforces the harsh reality of punishment Cinematography: Low angles of the runts, which signifies their weakness and inferiority.

Close ups on runts, costume, reinforces poverty, lack of power etc. Lil Ze sees Bene giving Rocket a camera, lashes out in jealousy.

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